The Zone of Interest
Jonathan Glazer
The most disturbing film I've seen in years, and almost entirely because of what it refuses to show. Glazer keeps the camera on the domestic side of the wall — the garden, the children, the dinner parties — while the sounds from the other side are constant and unremarked upon. The horror is in the normalcy. I kept waiting for a scene that acknowledged what was happening. It never came. That's the point.
Why it's here
I've been thinking about how atrocity becomes ordinary for the people adjacent to it. This film is the best answer to that question I've encountered in any medium.